2021 Exhibitions

𝗦𝗲𝗹𝗲𝗰𝘁𝗶𝗼𝗻 by Kirrily Jordan

Jacquie Meng, Madeline Cardone, Cathy Zhang, Shen-Ju Hsieh, Bronwyn Sargeson, Allison Barnes, Sanne Carroll, Maddie Hepner, Natasha Pidcock, Roslyn Hall, Toni Hassan, Wendy Dawes, Sarah Murray, Miriam Penrose, Sophie Dumaresq and Lucy Chetcuti

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𝟮𝟬𝟮𝟭 𝗠𝟭𝟲 𝗗𝗿𝗮𝘄𝗶𝗻𝗴 𝗣𝗿𝗶𝘇𝗲 by Kirrily Jordan

Image: Melody Spangaro, Cadgewa, 2020. Graphite on plastic, 136 x 175 cm. Winner of the 2020 M16 Drawing Prize ($5000).

Gallery 1

26 November - 10 December 2021

The M16 Drawing Prize is an annual exhibition, focussing on works that utilise traditional or contemporary drawing materials and techniques. The prize and associated exhibition seeks to examine, challenge and open up a dialogue around the possibilities of drawing? It attracts interstate and international entries, and 2021, it will be in its 16th year. All works must be produced in the year prior to the exhibition.

This year all entries will be eligible for the online exhibition unless otherwise notified. Selected finalist will be displayed in Gallery 1, 26 November to 11 December.

𝙋𝙡𝙖𝙩𝙚 𝙎𝙝𝙤𝙬: 𝙅𝙪𝙨𝙩 𝘿𝙚𝙨𝙨𝙚𝙧𝙩𝙨 by Kirrily Jordan

Alyssa Bagley, Byrd, Michele England, Kirsten Farrell, Caren Florance, UK Frederick, Nicci Haynes, Michelle Hallinan, Katie Hayne, Fiona Edge, Stephanie Jones, Jacqui Malins, Peter McLean, Jo Rendle-Short, Sarah Rice, Joanne Searle & Megan Watson

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𝙋𝙇𝘼𝙄𝙉 𝘼𝙄𝙍, 𝙃𝙄𝙂𝙃 𝙋𝙇𝘼𝙉𝙀 by Kirrily Jordan

image: Macdonald Nichols, Moon Over Square Range, Nimmitabel, 2020. Inkjet print, 20.3 X 25.4 cm.

Gallery 1

Mark Mohell, Macdonald Nichols & Peter Ranyard.

5 November - 21 November 2021

Monaro, a Ngarigo word meaning “high plain”, centres Mark Mohell, Macdonald Nichols and Peter Ranyard’s durational photographic exhibition, Plain Air, High Plain.

Their photographs investigate the dynamic forces that shape the endless, reciprocal drama that is Landscape. Drawing on generational histories, oral, written and re-written, their individual subjective identities are recognised as a mix of ‘belonging and yet not belonging’ as they acknowledge the complexity of fractured, layered histories of place that exist in the region.

The exhibition is a result of numerous transversals of the ‘high plane’ that consider the distinctive character of Plein Air as a productive practice. The works are conceived completely in the Monaro environment affirming its presence and the individuals within it: a physical and affective immersion.

Through the works exhibited, a personal and collective shape of the Monaro forms and a central definition of place emerges, where the photographic medium is highlighted as a possible means for scrutinising the Monaro as well as the conventions of its photographic representation.